Handcrafted in our own Workshop, this 4ft bench has been created from Rippled Sycamore and Elm that was grown locally in the borderlands of Scotland.
The naturally occuring “rippling” within the grain of the Sycamore gives an almost 3D effect that causes the finish of the bench to look as if it has been quilted.
The bench has been protected by multiple coats of oil and then waxed. This bench can be used for a number of purposes; by the side of a dinning table, to stand at the foot of a double bed, or even as a much-needed coffee table.
This bench, along with others from our workshop, are available to see in our showroom at The Handmade Crafthouse in Dumfries.
These wonderful handmade tree decorations by Mike from offcuts of timber left after making his frames and chopping boards.
They are roughly finished and are charming on their own, but particularly so when grouped together in a little Copse.
As you can see, when grouped together the variety of the woods used – Ash, Beech, Elm, Oak, Sycamore – achieve a beautiful range of colour, texture and pattern which makes each Copse unique! Each piece of timber used is grown locally in the borderlands of Scotland.
Some new Beech cheese boards have arrived in store. Like all of our cheese boards and serving platters, these are handmade by Mike Dixon using locally grown timber from the borderlands of Scotland.
These boards feature some truly beautiful grain and have a lovely, delicate milkiness to the colouring. As with all our boards, they are suitable for preparing and serving food or just to bring a touch of rustic charm to your kitchen!
The boards featured here start at £18 for the small, handled platters, ranging to £39 for the table runner.
This is the final part of my series on making my own homemade guitar. You can read the first two parts here and here.
So, at the end of last week I had everything glued together and it looked suitably “guitar-shaped”. This time I had the challenge of making it actually playable and adding the finishing touches. This was by far the hardest part of the build and had me sweating with concentration on more than one occasion!
This is part two of a series of three posts, you can find the other parts here and here.
As I mentioned last week, my goal was to go into our workshop and make myself a stringed instrument from the materials I had at hand. I’ve set myself the limitation of not buying any specialist materials or tools – everything has to be sourced from the workshop. That means that frets, tuners, saddles and nuts (the bits the strings sit on) all have to be made by me.
After much “um-ing” and “ah-ing” I’ve decided to make a 6-string guitar, rather than the usual 3-string Cigar Box variety. I just felt that after putting so much time and effort into the project it would be a shame not to play it as often as my “normal” acoustic guitar. So, that’s 3 more strings, goodness knows how much more strain on the neck and I need a way of keeping the thing in tune… what could go wrong?
This is part one of a series of three posts about making a homemade guitar, you can find the other two parts here and here.
I always get an immense satisfaction when something that I’ve made not only looks the way it was meant to but is actually usable. It’s a wonderful feeling seeing that your design and hardwork has produced something that works!
This all goes to say that when I received a beginner’s Cigar Box Guitar (CBG) as a gift earlier this year, my mind soon turned from playing it to working out how to replicate it. Now, there are hundreds of blogs and forums on the internet about the instrument, along with countless plans available to build your own. But what I like most about the instrument is that it is homemade; originally built out of scrap and junk that people had lying around. They didn’t have to be perfect; they were meant to make a sound; and as long as they made a sound they could be used to make music.